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Azal Narmon
Over the years, he*, whom I perform, has been rehearsing in diverse artistic genres, many of which have been unusual in concept and form – this is especially true of his unrecorded performances – because he has employed in them means of orchestrating various integral components. his intention has often been to perform what he had to perform in a way that would exemplify it, that would conceivably, propose the public to experience what he had to perform rather than just act of seeing. This means that being as he is engaged in interdisciplinary research practice, he attempts to introduce into each one of them aspects conventionally limited to one or more of the others.